Primeiros projectos para o 2º semestre (updated – new deadlines)
De acordo com o que foi anunciado, durante o segundo semestre serão propostos vários projectos para a concretização/apresentação do trabalho que tem sido levado a cabo em Atelier II.
Print(ed) Matter(s) | Regras básicas para impressão + template indd
Podem descarregar aqui o template para o Adobe Indesign | you can download here the template to be used with adobe Indesign
Print(ed) Matter(s) | Regras básicas para impressão
De acordo com o professor Miguel Leal, este post serve para estabelecer algumas regras relativas as imagens para impressão, e também os campos necessários de segurança de impressão no template blurb.
Espero que este mini-manual ajude. Em caso de dúvidas enviem-me um mail.
Pré-Candidatura a Programas de Mobilidade – Vagas sobrantes
Prazo termina a 15 de Março
http://sigarra.up.pt/fbaup/noticias_geral.ver_noticia?P_NR=725
Informam-se todos os estudantes interessados que está aberta uma nova fase de pré-candidatura a Programas de Mobilidade para preenchimento de vagas sobrantes da 1ª fase.
Desta forma, os candidatos ao Programa Erasmus deverão consultar a lista de vagas sobrantes e ler com atenção a informação anexa.
Os candidatos à Cooperação com o Brasil deverão contactar o Serviço de Relações Internacionais da FBAUP para consulta da lista de instuições parceiras e informações adicionais.
As pré-candidaturas deverão ser oficializadas junto do Serviço de Relações Internacionais da FBAUP, de 10 a 15 de Março de 2010.
Formulário – Vagas sobrantes
Lista de vaga sobrantes
Point d’Ironie — A hybrid periodical – half magazine, half poster
Point d’ironie*
A hybrid periodical – half magazine, half poster
Around 6 times per year, agnès b. and Hans-Ulrich Obrist give carte blanche to an artist to appropriate the space of the paper. An 8-page tabloid format, identical for each artist. Repetition and difference.
This is not a paper about art, each issue is created by an artist, architect, filmmaker, musician photographer, writer…
100,000 to 300,000 copies are available free of charge around the world (in bookshops, museums, galleries, schools, cafés, etc.), as well as in all of the agnès b. locations (France, Europe, USA, Asia).
Ulisses Carrión e a sua Livraria
Um excelente aperitivo para os projectos “Print(ed) Matter(s)”/ An excellent appetizer for the “Print(ed) Matter(s)” projects
Ulisses Carrión e a sua Livraria
MUSEU DE SERRALVES – MUSEU DE ARTE CONTEMPORÂNEA
Rua D. João de Castro, 210
4150-417 PORTO
27 FEV – 30 MAI 2010
ULISSES CARRIÓN E A SUA LIVRARIA
Exposição na Biblioteca de Serralves
LOURDES CASTRO E MANUEL ZIMBRO: À LUZ DA SOMBRA
| LOURDES CASTRO E MANUEL ZIMBRO: À LUZ DA SOMBRA |
(ver também o documentário de Catarina Mourão exibido no contexto do programa paralelo…)
06 MAR – 13 JUN 2010 – MUSEU de SerrALVES
AULA ABERTA – GONÇALO LEITE VELHO, Arqueólogo
AULA ABERTA
PRÁTICA PROFISSIONAL
SEMINÁRIOS DE ESCULTURA
Auditório Pavilhão Sul
2 de Mar. 2009 17:30
Trans_Formations
GONÇALO LEITE VELHO, Arqueólogo
Book “look at a book”
http://www.lookatbook.com//flash/shell.html
For thirty-six weeks, a sketchbook was sent in random order between four artists: two in Brooklyn, two in Belfast.
Every Wednesday, one participant would receive book. In order to maintain schedule, it was sent out the following Monday, giving each artist five days to complete a spread in response to the one that preceded it.
A small portion of each entry extends on to the following page. Beyond this, there was no communication between the artists concerning the content of book during its making.
book’s first trip across the Atlantic was on 2 June, 2003. Its final trip was on 2 February, 2004. By the time it was completed, book had travelled over sixty thousand miles.
“Hot Red Hot” de Luísa Cunha
Casa da Animação
A Casa da Animação reabriu portas no dia 17 de Fevereiro de 2010…
Artists’ books. Uma sugestão
| THE CENTURY OF ARTISTS’ BOOKS by Johanna Drucker |
http://www.granarybooks.com/pages.php?which_page=product_view&which_product=41
Do site do editor:
The Century of Artists’ Books is the first full-length study of the development of artists’ books as a twentieth century artform. This work situates artists’ books within the context of mainstream developments in the visuals arts from Russian Futurism and Surrealism to Fluxus, Conceptual Art, to Postmodernism. Designed to raise critical and theoretical issues as well as provide a historical overview, this book explores more than two hundred individual books in realtion to their structure, form, and conceptualization. Topics include the discussion of the poetics of the books, the book as metaphor, the conceptual space of the book, and books as narrative and non-narrative sequences. Each chapter uses these specific issues to examine the works of well-known book artists and publishers. The book provides a foundation for future work in the history and critical interpretation of artists’ books, as well as offering a structure for teaching artists’ books to practitioners, collectors, and curators.
What follows is the first chapter of the book:
